Here’s the link for more information about the PS244 fundraising campaign.
Here’s the link to the GIVE IT ALL TO ME Library Collection at OutofPrintClothing.com.
Check it out! The good folks dropped me a line about this project last week, and I’m happy to boost for Library Week.
oh my gosh i want that stamped tee
oh shit i love those bags
inspired by [x]
Nave capital depicting the Dream of the Three Magi from Saint-Lazare, Autun, Burgundy, France. Carved by Gislebertus, c. 1120-32 CE. Image taken from ARTstor.
This capital was originally located in the nave of Saint-Lazare, where it would have served a didactic purpose to those who could not read by visually illustrating the biblical texts and conveying theological messages, as well as to visually reinforce text and theology to those already familiar with them.
Salt & Burn is finally available online! It’s been a long and winding road, but now you and your friends can hunt the things that go bump in the night! Play as a Hunter of the supernatural that travels the board, killing monster and saving lives. The first Hunter to save 10 lives wins the game! You can read more about the game in the Etsy listing or visit saltandburn.com to see other people playing the game and read the rules.
Due to problems with our laser cutter, we only have enough of the original laser-cut acrylic player tokens and hearts for 25-30 games. After those are sold, we’re going to be revisiting the game and replacing the tokens with cardboard chits, so if you want to get the full original game, here’s your chance. Thanks guys, happy hunting!
a print i made for con season (i’ll be at animinneapolis, a-kon, anime expo, and san japan), which will be available in my store within the next month or so!
So, my friend made herself into 15 foot long cardboard velociraptor with googly eyes
So my historical costuming resources list from 2011 was less than a page long- I’m not saying that I’ve learned a lot in the past three years, but this list is now sitting pretty at a solid nine pages. Whew. And people wonder why I want to redo this damn series.
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.